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Chad Sundin
Now is as good a time as ever to redefine "desert rock." For most people, it means expansive country rock with a couple of cacti in the background. But now, thanks to urban sprawl, it often means expansive country rock music surrounded by lots of sports bars and move-in-today apartments. Not so for Chad Sundin of The Via Maris, a collective of musicians whose very name means "the water way." Sundin has waged an internal tug-of-war between belonging to the desert he came from and feeling decidedly landlocked. "All my life, I have wanted out of cinder block backyards fencing in the drought," he sings on the title track of this consummate coming-home-to-the-desert record, which is sonically spare but rich in imagery, whether it's describing the moisture between your ear and a hot telephone or measuring the distance between a loved one and the snooze bar. Sundin seems to have found a way of preserving "the wilderness underneath" through his production and writing style, which hark back to the early-'70s singer-songwriter template. It's all good, as the Zonians are fond of saying, and this album is bolstered by notable musical contributions from Matt [W]iser, Lisa Marmur, and longtime collaborator Kenny Kohlmeier.
-Phoenix New Times |
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